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It would be very easy to write The Marksman off as an empty action thriller playing around with evil émigré tropes like a child with a hand grenade because that’s mostly what it is. A low-key chase film built on the personal salvation of a child in trouble, it plays with stereotypes in a way …

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Honest Thief is not honest at all. It sells itself as the latest in the modern line of post-Taken Liam Neeson action vehicles. The ones that trade on his gravitas and high-octane set pieces in lieu of coherent plots or strong dialogue. Honest Thief only has half of that, with a budget and production design …

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