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Scott Chitwood

Scott Chitwood has been writing about film online since 1995. He is a co-founder of TheForce.Net, IGN Movies, and the Houston Film Critics Society. Scott wrote for ComingSoon until joining Vital Thrills in 2020. Scott is also the publisher of Red 5 Comics and lives in Houston, TX.

Jeff Loveness was born to write for Marvel. As a kid, his brother and friends would quiz each other on Marvel trivia on the way to school. Later, he wrote and directed the viral fan film Wes Anderson’s Spider-Man, which caught the eye of Jimmy Kimmel Live! There, he wrote a new Star Wars trilogy …

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Some time after the events of Avatar, Jake Sully and Neytiri have started a family. Their children are not only their biological offspring but adopted orphans as well. Kiri is the child of Dr. Grace Augustine’s avatar, who was unexpectedly pregnant while in suspended animation. They have also adopted a young human nicknamed Spider, who …

Read More about Avatar: The Way of Water Review

After the events of Avengers: Endgame, Thor (Chris Hemsworth) has joined the Guardians of the Galaxy for adventures across the universe. But as he tries to find himself, he’s unable to attain inner peace and self-fulfillment. However, Thor is forced to set aside his identity crisis when a new threat emerges – Gorr the God …

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Several years after the events of Jurassic World: Fallen Kingdom, dinosaurs have spread throughout the world. Clashes between mankind, modern wildlife, and prehistoric beasts have escalated. Black markets dealing in dinosaurs begin to thrive. Governments and environmental groups do their best to intervene and relocate the beasts to sanctuaries, but it is a difficult task. …

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While on a routine Space Shuttle mission in 2011, NASA astronauts Jocinda Fowl and Brian Harper experience a disaster that kills one of their crewmembers and disables their spacecraft. Amidst the chaos, Harper is the only one to see the cause – a strange alien cloud. After destroying their shuttle, the alien entity heads for …

Read More about Moonfall Review: The New Roland Emmerich Film