James Gray‘s coming-of-age film, Armageddon Time, is set in 1980. Most audiences would likely anticipate a nostalgic trip back in time, full of musical pop culture needle drops, lots of magic hour horizon shots, and big emotional Oscar bait moments with actors like Anthony Hopkins, Jeremy Strong, or Anne Hathaway giving heartfelt soliloquies as the …
Review
It’s always fascinating to hear a story from a different perspective, especially ones we know so well. In the new Hulu Original film Rosaline, we’re getting William Shakespeare’s famous Romeo and Juliet, but from the perspective of Rosaline (Kaitlyn Dever), the woman Romeo mentions in the famous play before he sets eyes on Juliet. Romeo …
Like most period films, David O. Russell’s Amsterdam tries to both look forward to the future and reveal something about the past. It is less about ‘yesterday’ than ‘today’ but unsure which part of ‘today’ it’s aiming at. It wants to remind us of moments in the past to keep us from Santayana-like repetition, but …
The Hellraiser franchise has always been a bit of a dichotomy – the profane and the beautiful, the elegant and the crass, the sexuality and the agony all go hand in bloody hand. Some entries are better than others, but this has always been a series where the point is the extreme nature of it. …
Bones and All, the new film by director Luca Guadagnino (Call Me by Your Name), wastes no time in establishing itself. Young Maren (Taylor Russell), at a sleepover, suddenly attacks her host, nearly biting off her finger and escaping in the night. Maren feels a compulsion to consume human flesh. Whether this is a physical …
One of my favorite aspects of Marvel Studios’ output so far is that it feels like it’s starting to compartmentalize a bit. Want cosmic adventure? Here’s Guardians of the Galaxy. Want street-level action? Try some Daredevil. Espionage and intrigue? The Winter Soldier or Black Widow awaits you. Much like the comic books, there are tracks …
Martin McDonagh’s In Bruges is a distinct kind of hitman movie, one with a lot on its mind, moral clarity in a world of nefarious criminals, and terrific performances by Colin Farrell and Brendan Gleeson. All three return for The Banshees of Inisherin, but while many of the components are the same, Banshees has a …
Simultaneously explorative and deeply reductive, Andrew Dominik’s adaptation of Blonde delves as deeply into Marilyn Monroe’s (Ana de Armas) battle between her public and private personae as anyone ever has, but the film only manages to find tired Freudian pop answers beneath the sediment. Joyce Carol Oates’ semi-biographical novel (Order Now) provides a moderate starting point, turning …
It should come as no surprise to learn, once audiences see the movie, that The Menu was produced by Adam McKay and directed by Mark Mylod. The Menu could easily take place in some back corner of the Succession universe – I imagine that Chef Slowik (Ralph Fiennes) would probably move heaven and earth to …
There’s a trend going on in horror cinema that’s been happening for several years now – the exploration of past traumas and how they inform the present, often done metaphorically. That movie monster or thing that creeps in the shadows of the room isn’t just a monster – it’s something horrific from the past that …