Blonde Review: Ana de Armas Is Marilyn Monroe
Simultaneously explorative and deeply reductive, Andrew Dominik’s adaptation of Blonde delves as deeply into Marilyn Monroe’s (Ana de Armas) battle between her public and private personae as anyone ever has, but the film only manages to find tired Freudian pop answers beneath the sediment. Joyce Carol Oates’ semi-biographical novel (Order Now) provides a moderate starting point, turning…