Paramount+ (try it free for 7 days), the streaming service from ViacomCBS, today revealed the official The Good Fight Season 5 trailer and key art. You can watch The Good Fight Season 5 trailer using the player below and you’ll find the key art underneath!
Season 5 of the critically-acclaimed original series premieres on Thursday, June 24, with new episodes of the 10-episode long fifth season dropping on Paramount+ weekly on Thursdays.
In the fifth season, Diane (Christine Baranski) is forced to question whether it’s appropriate for her to help run an African American law firm with Liz (Audra McDonald) when the firm loses two top lawyers.
Meanwhile, Marissa (Sarah Steele) and the firm become entangled with Hal Wackner (Mandy Patinkin), a regular Chicagoan who decides to open his own courtroom in the back of a copy shop.
The cast of The Good Fight includes Christine Baranski, Audra McDonald, Sarah Steele, Michael Boatman, Nyambi Nyambi, Zach Grenier, Charmaine Bingwa and Mandy Patinkin.
Robert and Michelle King serve as showrunners and executive producers of the series, which they co-created with Phil Alden Robinson. Ridley Scott, David W. Zucker, Brooke Kennedy, Liz Glotzer, William Finkelstein, Jonathan Tolins and Jacquelyn Reingold also serve as executive producers.
The series is produced by CBS Studios in association with Scott Free Productions and King Size Productions. The series is distributed worldwide by ViacomCBS Global Distribution Group.
“The Good Fight remains one of the most beloved and critically-acclaimed original series on CBS All Access, and we’ve seen a tremendous response from fans this season,” said Paramount+ previously. “We… are excited to bring subscribers even more of the timely, gripping storylines the Kings bring to life next in season five.”
Season four of The Good Fight finds Reddick, Boseman & Lockhart navigating a very different landscape. After they lost their biggest client, Chumhum, and their founding partner’s name was tarnished, Reddick, Boseman & Lockhart was forced to accept an offer by a huge multi-national law firm, STR Laurie, to become a small subsidiary.
Suddenly, all of their decisions can be second-guessed by the giant firm that is literally on top of them. While STR Laurie initially seem like benevolent overlords, we find Diane Lockhart and her colleagues chafing at their loss of independence while simultaneously investigating the emergence of a mysterious “Memo 618.”